SHLabs builds instruments at the intersection of musical use, real computation, and unusual control surfaces. The current catalog is built for VCV Rack 2; VST plugins and Ableton-compatible standalones are in development.
Each family is a coherent design programme. Click through for details, screenshots, install instructions, and source.
Real statistical, social, and stochastic processes turned into control voltage — sampling distributions, the bootstrap, agent-based cascades, epidemics, reaction-diffusion. Quirky, generative patch material with genuinely correct math underneath. (Teaching stats? That's the Empiria web app.)
Eight sound-design modules with a deliberate Eastern-bloc analog character, shaped by the West Coast tradition of complex oscillators and function generators: drum voices, oscillators, a master clock, a plate reverb, and generative sequencers. Built for fun and for getting weird.
Emergent systems you watch evolve on screen and patch as CV. Colony is a cellular-automaton grid; Turing is a probabilistic shift-register sequencer with a built-in quantizer. Set them running, nudge them, and take the patterns as pitch, gates, and modulation.
Four tempo-synced effects: a rhythmic amplitude gate, a stereo ping-pong delay, a multi-tap pattern delay, and a crossfader. Lock them to your clock for movement in time and across the stereo field. Free to download and use.
A transistor-ladder filter (Helix), a stereo color repeater (Halo), a character delay with reverb (Skywave), and an eight-stage step sequencer (Metro185).
The SHLabs DAW branch — a growing family of VST3 / AU plugins and standalone apps, all in active development. Paid releases; follow along for availability.
Draw modulation on a curve editor and lock it to the beat — four curve-LFOs over volume, pan and filter, with multiband routing and MIDI out. The first SHLabs VST.
Listens to your track and renders beat-locked visuals you can throw fullscreen onto a second screen — five morphing fields, a feedback FX pipeline, host & Link sync.
Chop a loop into playable slices across the keyboard, shape each hit, and grab the keepers to your library — the chop-and-play workflow, distilled. ReCycle × Serato Sample.
A deep eight-step sequencer in the RYK M-185 / System 100m lineage, reimagined for the DAW — ratchets, 34 scales, gate modes, play directions, MIDI-learn and pattern save.
The SSL-style glue that holds a mix together — stepped controls, program-dependent release, sidechain high-pass, Mid/Side and a parallel mix, with a big gain-reduction meter.
A draggable curve over a live spectrum — up to 24 bands, eight filter types, 6–96 dB/oct slopes and per-band Left/Right or Mid/Side. Surgical or musical.
A Sinfonion-style brain: master key and scale, an interactive Tonnetz lattice, three quantizers, a voiced chord generator, arp, bass, drone and a progression sequencer — driving your synths.
A standalone synth with drag-and-drop modulation: band-limited morphing wavetables, warp with FM and ring mod, drawable LFOs, a 48-slot matrix and a studio FX rack with plate reverb, bus compressor and maximizer.
Generative modules are seedable, so a happy accident is never lost — stumble onto a sound you love and dial the exact patch back any time. Save it, share it, and it plays the same on every machine.
Panels are designed as control surfaces, not decoration — polyphonic CV everywhere it makes sense, sensible defaults, and no telemetry. Tools you patch in and play, not just admire.
Under the hood the processes are the real thing — feedback, sampling, stochastic motion — but every module is voiced as an instrument first: expressive, surprising, and made to be listened to, not measured.